Kites at the Kamogawa (for Jonas Mekas)

In a bold and original approach to memory, this Lettrist-inspired film maps an anxiety-ridden plane journey from Tokyo to Helsinki without the aid of...

'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.

Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and...

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are...

Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely...

Fragments 83 rediscovers—and repurposes—Richard Millen 1983 experimental film If You Can’t Be with the One You Love, shot in...

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision...

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with...

The film was produced applying mixed techniques on Super 8 film support.

Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Stefano Miraglia's Self-portrait, also part of the same commission.

The subtitles respond to each other and remind us with joy and joy that if we live, it is to die.